• Image Credit
    Fede Galizia (Italian, ca. 1578-ca. 1630), Still Life with Apples, Pears, Cucumbers, Figs, and a Melon, ca. 1625-1630, Oil on panel, 13 7/8 x 23 ¼ in., National Gallery of Art, Washington, Gift of Funds from Roger Sant, Patrons’ Permanent Fund, and Gift of Funds from Deborah Burklund, 2023.3.2.
  • Image Credit
    Rachel Ruysch (Netherlands, 1664-1750), Floral Still Life, 1686, Oil on Canvas, 45 1/8 x 34 3/8 in., Memorial Art Gallery of University of Rochester, acquired with contributions made in the memory of Brenda Rowntree by her friends, through the Acquisition Fund of the Women’s Council, and the Marion Stratton Gould Fund.
  • Image Credit
    Victoria Dubourg, Roses in a Porcelain Planter, c. 1875–1900, oil on canvas. Clark Art Institute, 1955.726

A Feast of Fruit and Flowers: Women Still Life Painters of the Seventeenth Century and Beyond

A Feast of Fruit and Flowers explores the important role women artists played in the development of the still life genre in seventeenth-century Europe. Still life painting emerged as a recognized genre during this time period, with subjects ranging from artfully composed floral arrangements to tables brimming with food. Many of the leading still life painters were women: at a time when women were limited in the subjects they were able to paint, still life was a genre that was deemed proper, and could be done in the privacy of one’s home. The exhibition features loans from museums from across the country and includes paintings by Fede Galizia, Clara Peeters, Maria Sibylla Merian, and Rachel Ruysch. The show concludes with an epilogue of more modern examples of still life painting, demonstrating that still life was a genre that continued to resonate with women artists over time and evolved to reflect changing eras.

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